The Sentiment, Mood, and Philosophy of The Best Slow Dancer :: Free Essay Writer

The Sentiment, Mood, and doctrine of The Best Slow DancerFeelings can twist reality in the most peculiar ways. Emotions push the mind to the most stunning conclusions, and scold within the soul the strangest storms. In detail, senses reach their peak in David waggoners poetic work The Best Slow Dancer. In the poem, Wagoner brings out the height of sentiment through the eyes of a teenage boy at a school bound, who overcomes the teenage companionable hierarchy and his own f auricle to sh be in the longed-for dance with one special girl. All the while Wagoner takes his readers into depths of wafting dreaminess, romance, and intimacy they ar projected through an unbroken flow of words uninterrupted by punctuation, rhythm, or strict lines. The Best Slow Dancer portrays the mental give tongue to of a boy as he experiences a dance. It is a rook dance, that one that seems to him prolonged for an eternity, the three-second rule forever/ suspended. The feelings that go through the yo uths soul range from extreme divert to just as extreme tension, and the reader may see them tout ensemble exhibited in the lines of the poem. His surety when with the girl in his embrace is seen when his countless feet light sure to move as they wished wherever they might stagger without her, but wherefore he triedto tell her he wasnt the batter one, the worst of the boys, the one that she would not be seen dead withwhich implies that he is fearful of the fact that she might reject him, not waving a sister someone elses partner. The full textual image demonstrates that the boy is with on the whole his heart trying to impress the girl, and gets the dance with her against all odds of popularity and such, and then he treasures the experience, as he says to himself remember at the end.All throughout The Best Slow Dancer, the key ingredient to the image within the readers mind is the humour set by the poem. The mood is mystical, quixotic, intimate, and continual. This state is ac complished by three techniquespoetic devices, turns of phrase, and contortion of syntax. The important pair of poetic devices that set up all these moods and humors simultaneously are enjambment and synecdoche. Enjambment is bizarre in this poetic work, especially in descriptions of physical setting or position, such as the setting of the dance, in the school gym across the key through the glitter/ of reverberate light, or the position of the main character with his cheek against her temple, her ear just under/ that.